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Kát’a Kabanová
 


Kát’a Kabanová Premiere       


opera in three acts
Music: music by Leoš Janáček

Libretto: Leoš Janáček after the play by Alexander Ostrovsky The Storm
Music Director of the production: Peter Feranec
Stage Director: Niels-Peter Rudolph
Stage Designer: Volker Hintermeier
Costume Designer: Sue Bühler
Lighting Designer: Mikhail Mekler
Costume Engineer: Alla Marusina
Principal Chorus Master: Vladimir Stolpovskikh
Chorus Masters: Sergey Tsyplyonkov, Alexey Dmitriyev
Director: Yulia Prokhorova
Assistant Conductor: Mikhail Leontyev
Rehearsal Conductor: Andrey Velikanov
Mimence Director: Irina Kuzmina
Assistant Director: Daria Panteleyeva
Stage Designer's Assistant: Oleg Molchanov
Costume Designer's Assistant: Anna Kotlova
Czech Language Consultant: Elena Kolomiytseva
Principal Pianists: Maria Kopyseva, Marc Vainer
Stage Manager: Olga Kokh

Premiere at the Mikhailovsky Theatre: December 16, 2010

Running time: 2 hours
Performance has one interval
Performed in Czech (the performance will have synchronised Russian supertitles)


The first opera premiere of the 178th season is Kát’a Kabanová, written by a most interesting representative of the Czech music Leoš Janáček, a realist composer, who always strove to convey the truth of life in his compositions.

The opera is largely based on The Storm, a play by the renowned Russian playwright Alexander Ostrovsky. The libretto was written by the composer. Janáček abridged the everyday and genre components but developed the lyric one; he kept the main lines of action and revealed the depth of Katerina’s drama. Janáček’s music is full-blooded; it’s the movement towards life and light. It’s healthy, boiling hot, spirited and arresting. One can see Janáček’s interest in people’s speech in it: he used the melodic elements borrowed from the everyday colloquial intonations.

The opera is truthful and highly emotional, though it doesn’t have direct relationship with Russian folklore; it appears that the composer didn’t set the task of expressing the local flavour.

On the whole, the opera is an almost ideal combination of the beautiful music and drama, hence, there’s something to be sung, acted, and invented.




Playbill   Synopsis